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TBWB in Fenris Wolf #10 - now available

On many occasions throughout my creative non-career, I've been inexplicably welcomed by established experts to provide a slightly different or more skewed perspective on their respective fields. It's been one of the most humbling and rewarding aspects of said non-career, and gives me hope that otherwise unmarketable weirdoes as myself have some role within culture at large. My inclusion in the latest / greatest iteration of the Fenris Wolf journal is another one of these occasions. In place of continued self-congratulation, which is not my strong suit, I will let editor Carl Abrahamsson take the reins here:

THE FENRIS WOLF 10 is here – the voice of occulture and magico-anthropology howls again!

Get your copy right here:

(Please note: Choosing the Amazon site closest to you decreases your postage costs!)

This volume contains material by Ludwig Klages, David Beth, Henrik Dahl, Peter Sjöstedt-H, Jesse Bransford, Max Razdow, Christopher Webster, Kendell Geers, Kadmus, Billie Steigerwald, Fred Andersson, Zaheer Gulamhusein, Charlotte Rodgers, Craig Slee, Damien Patrick Williams, Philip H. Farber, Thomas Bey William Bailey, Mitch Horowitz, Ramsey Dukes, Anders Lundgren, Peggy Nadramia, Nina Antonia, Jack Stevenson, Andrea Kundry, Joan Pope, Genesis Breyer P-Orridge, Vanessa Sinclair, Claire-Madeline Corso, and Carl Abrahamsson…

… On topics as diverse as magico-anthropology, sexual magic, eroto-psychedelic art, Friedrich Nietzsche’s use of psychoactive drugs, the occult meaning of the Fenris Wolf in Scandinavian Asatro, joint dreaming, mytho-historical traces within Völkish photography, the magic and influence of African art, disease as magical incentive, Cripkult, daoism, buddhism and machine consciousness, memetic entities, memetic magick, the transformative power of causative thinking, an interview with author Gary Lachman about Colin Wilson and his magical writings, dark Hollywood, Mike “Hellboy” Mignola and the Lovecraft connection, the full story of Benjamin Christensen’s cinematic masterpiece “Witchcraft Through the Ages” (1922), the full story of Anton LaVey’s Satanic Bible, the gnostic-alchemical eroticism in the art of Joan Pope, Genesis P-Orridge’s memories of a life of occultural experimentation, and much more…

Trapart Books 2020. Cover art by Val Denham. 6 x 9” paperback. 422 pages of inspiration: “A Smörgåsbord of Occulture & Delightenment!”

FOR THE COLLECTORS: There is a special, limited edition of the book – 23 stamped, numbered copies signed by me, which each comes with a print of the cover image, numbered & signed by Val Denham:


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